[CR]Re: Classicrendezvous Digest, Vol 13, Issue 64

(Example: Production Builders:Frejus)

From: "Mike Dayton" <mdayton1@bellsouth.net>
To: <classicrendezvous@bikelist.org>
References: <CATFOODAX3cf3ednHM300000456@catfood.nt.phred.org>
Date: Fri, 16 Jan 2004 16:55:28 -0500
Subject: [CR]Re: Classicrendezvous Digest, Vol 13, Issue 64

Not at all, silly...I was being absolutely serious...not riding with the boys in the a.m., swimming instead, you might want to check with them if you're interested they start a little later on the weekends....stay in touch, mjd


----- Original Message -----
From: classicrendezvous-request@bikelist.org
To: classicrendezvous@bikelist.org
Sent: Friday, January 16, 2004 3:08 PM
Subject: Classicrendezvous Digest, Vol 13, Issue 64



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> CR
>
> Today's Topics:
>
> 1. Re: CyclArt (John Pergolizzi)
> 2. RE: Pinstriping, it's curious (Chris Ioakimedes)
> 3. CyclArt Pricing (Jim Cunningham)
> 4. Re: Pinstriping, it's curious
> 5. DeVlamnick (Jack Gabus)
> 6. eBay outing: Normandy/Sachs FW remover (Dave Abraham)
> 7. Re: Elementary Control-Theory Mistake in Jobst's article onShimmy
> 8. Re: Elementary Control-Theory Mistake in Jobst's article onShimmy
> 9. Hetchins reproduction clothing (=?iso-8859-1?q?Andrew=20Moore?=)
> 10. Who's at Fault, Schwinn or Raleigh ?? (Donald Gillies)
> 11. Re: CyclArt Quality & Overcharge Concerns (Pete Imandt)
>
>
> ----------------------------------------------------------------------
>
> Date: Fri, 16 Jan 2004 13:11:24 -0500
> From: "John Pergolizzi" <jtperry@worldnet.att.net>
> To: "Howard La Grange" <howard@pacificturbine.com>,
> "Classic" <classicrendezvous@bikelist.org>
> Subject: Re: [CR]CyclArt
> Message-ID: <006c01c3dc5c$27baa070$d99c4b0c@D1KBTP11>
> References: <BC2D5CFD.AE98%howard@pacificturbine.com>
> Content-Type: text/plain;charset="iso-8859-1"
> MIME-Version: 1.0
> Content-Transfer-Encoding: 7bit
> Precedence: list
> Message: 1
>
> Sorry Howard, your wrong if you perceive any thing I have written i.e
> Cyclart as an attack. It is ALL true story. I know that there is nothing
> to fear in the truth. So please do not discount my ramblings by classifying
> them as "attacks". You will only be doing yourself and everyone else an
> injustice.
> And that "rubber" philosophy of reverse affect ; the "attack" bouncing
> and sticking on the thrower doesn't fly with me either. It's only another
> method of discounting other peoples experiences, and attempting to undermine
> their position, respect and power in the group ( not that I assume to have
> any or all of these. I merely point this technique out as a matter of the
> politics of the verbal repartee and it's use and affect).
> I for one am glad for your positive experiences. Alot of people were
> very happy with Andy Fastow untill 19,000 folks lost their jobs.
> Please listen, don't judge and discount.
>
> ciao,
> John T.Pergolizzi
> New York City , N.Y.
>
> "Speak your truth quietly and clearly; and listen to others, even the dull
> and ignorant; for they too have their story.
> Deserata
>
>
>
> ----- Original Message -----
> From: "Howard La Grange" <howard@pacificturbine.com>
> To: "Classic" <classicrendezvous@bikelist.org>
> Sent: Friday, January 16, 2004 12:18 PM
> Subject: [CR]CyclArt
>
>
> > CR Listers:
> >
> > I have had numerous bikes painted by CyclArt. Each transaction was
> handled
> > professionally with a real commitment to satisfy my requirements. In
> > regards to price, I always know where I stand and never have had a
> surprise.
> > While the price is not cheap, the finished product has always been a work
> of
> > art. My philosophy on price is you never pay enough for good job and can
> > never pay too little for a bad one. Both Jim and Susan are honest and good
> > people who I respect. Attacking people like Jim and Susan only defames
> the
> > attacker.
> >
> > Howard La Grange
> > Oceanside, California
> >
> >
> > _______________________________________________
>
> ------------------------------
>
> Date: Fri, 16 Jan 2004 10:15:00 -0800
> From: "Chris Ioakimedes" <chriseye@comcast.net>
> To: "'Martin Needleman'" <mrndlmn@toad.net>,
> "'Dennis Young'" <mail@woodworkingboy.com>
> Cc: classicrendezvous@bikelist.org
> Subject: RE: [CR]Pinstriping, it's curious
> Message-ID: <000101c3dc5c$a7ae8440$57650518@kentro>
> In-Reply-To: <400826F6.7060708@toad.net>
> Content-Type: text/plain;charset="us-ascii"
> MIME-Version: 1.0
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> Message: 2
>
> I've heard and believed that the pinstripers at Schwinn in the 50s and
> before enjoyed their drink as well.
>
> -----Original Message-----
> From: classicrendezvous-bounces@bikelist.org
> [mailto:classicrendezvous-bounces@bikelist.org] On Behalf Of Martin
> Needleman
> Sent: Friday, January 16, 2004 10:01 AM
> To: Dennis Young
> Cc: classicrendezvous@bikelist.org
> Subject: Re: [CR]Pinstriping, it's curious
>
> During my "eat lunch with Art Stump" days in Santa Monica in the '60s I
> was into the old car thing as well as the bicycle thing. As a matter of
> fact, that is how I happened to meet Art whose workshop was in the same
> industrial bay area as the master auto painter I was dickering with to
> paint my 726 Packard. In any case, it turned out that both the bike guys
>
> and the car guys used the same pinstriper and this old geezer did
> pinstripe work that leaped off the paint surface and into your eyes.
> Incredible energy but still in subdued good taste. Yes, yes, I know.
> These are mutually incompatible but you had to have been there.
>
> The first time (and every time thereafter) that I saw this guy at work I
>
> felt that I was on the verge of having my heart attack me. You see, the
> master pinstriper was an elderly, alcoholic, malodorous and cantankerous
>
> curmudgeon who could barely stagger to the job site. His hands shook so
> badly that he could barely hold the pint of Montauk muscatel "concealed"
>
> in a paper bag that he drank from constantly. Watching him work was a
> transcendental experience.
>
> With trembling hands he would dip his brush in the paint. With even
> greater trembling, his hand would slowly approach the bike (or auto).
> Then, for a single micro second, the trembling would disappear and he'd
> draw an incredible perfect freehand stripe and lift the brush from the
> bike with a spastically trembling hand. This would call for a sip of
> muscatel and then the work continued as described. You had to see it to
> believe it and it was hard to believe regardless of what you saw.
>
> They don't make them like that anymore.
>
> Martin Needleman
> Annapolis, MD
>
> Dennis Young wrote:
> > Charles' comments with regard to the pinstriping effect as manifested
> by the
> > stripers technique are thought provoking. Skilled spontaneity is a
> much
> > appreciated quality in eastern art as well. Are there considerations
> given
> > to frame ornamentation in terms of it's intended appeal when the bike
> is in
> > motion, as seen by another rider in motion? The movement generates a
> kind
> > of spontaneous effect in it's own right. I was following my friend on
> his
> > Hetchins at the track the other day, and the gold pinstriping around
> the
> > black painted seat stay bridge came alive in almost a hypnotic
> fashion.
> > Contemplating it, the track surface going by was conversing with the
> > pinstriping, while the black painted tubes provided the drone in the
> > background. Many times I have looked closely at the pinstriping when
> the
> > bike is stationary, but never did it have such appeal. Do some frame
> > builders and painters think about this aspect when considering design?
> I'll
> > save the wiseguys the trouble, and agree that all bikes look beautiful
> when
> > you are passing them in a race!
> >
> > Dennis Young
> > Spinning the wheels in Hotoka, Japan
> >
> >
> >
> >>At the risk of getting that creature down in SD annoyed at me, unless
> >>things have changed, Brian outsources pinstriping. He has a
> >>good striper he uses, apparently. To judge from what I've seen
> >>of this striper's work, I'd have to agree with Ken.
> >>
> >>Pinstripes are an interesting problem in restorations. I've seen
> >>a number of Mondia, Taylor, Allegro, and other restorations where
> >>the pinstripes were flawless, but leaden. They just sat there on the
> >>tubes, doing nothing.
> >>
> >>A proper pin-stripe job should be very lively, even skittish, if I can
> >>use that word to refer to pin-stripes. Check out the pinstripes on
> >>an early 70s Mondia Special or Allegro. Whoever was doing them
> >>really WAS a genius for the job. The stripes appear to have been
> >>applied very rapidly, but with great precision, and they look like
> they're
> >>about to fly right off the tubes. A proper pinstripe job like this
> >>gives a frame a wonderfully raffish effect.
> >>
> >>Risking a bit of egoboo here, the late 1950s Condor Pathracer I have
> >>that won Best Original at the last Velo-Rendezvous (Thanks
> Sterling..!)
> >>has pinstripes similar to an Allegro or Mondia, but even more elegant,
> >>in my opinion, and with the same liveliness..
> >>
> >>The 60s Paramount pinstripes have that same liveliness (I'm still
> jonesin'
> >>for a canary yellow 60s Paramount with chrome head-lugs and the
> >>red pinstripes throughout. What a lovely frame that is. Anyone have
> one
> >>to sell in a 56 or 57cm c-t in clean, original condition?????)
> >>
> >>It's an art, and, I imagine, something that can be learned, but not
> easily.
> >>It'd
> >>take a fair amount of practice to get it just right.
> >>
> >>So, if you're gonna have pinstripes done in a resto, make sure whoever
> >>does it, understands this problem, and understands how to do it right.
> >>
> >>Charles "Mondia nut" Andrews
> >>SoCal
> >
> >
> > _______________________________________________
> >
> > .
> >
>
> _______________________________________________
>
> ------------------------------
>
> Date: Fri, 16 Jan 2004 10:34:08 -0800
> From: "Jim Cunningham" <Cyclartist@cox.net>
> To: "'Steve Neago'" <questor@cinci.rr.com>,
> <classicrendezvous@bikelist.org>
> Subject: [CR]CyclArt Pricing
> Message-ID: <014f01c3dc5f$5706c090$c1c96f44@HOME>
> In-Reply-To: <009a01c3dc2c$63ca4d20$cbb71b18@test1>
> Content-Type: text/plain;charset="US-ASCII"
> MIME-Version: 1.0
> Content-Transfer-Encoding: quoted-printable
> Precedence: list
> Reply-To: CyclArtist@cox.net
> Message: 3
>
> Steve,=20
> Please don't misrepresent the facts.
> Since our beginning in 1976 we have had a published price list that has =
> been
> mailed out by the thousands and on our website since 1990. It is so =
> detailed
> that I sometimes have people complain that it's like a tax form! =
> Generally
> people are impressed with the attention to detail and that it presents =
> many
> options that they may not have considered. That's what Custom service is
> about. A one price fits all is like saying one size bike fits all. Our
> warrantee has always been clearly stated & it has never been less than 2
> years. Any shipping damage is covered by our insurance. Here is a link =
> to
> our order guide: http://www.cyclart.com/refinish1.html =20
>
> Jim Cunningham, CyclArtist
> Vista, CA
> http://www.cyclart.com=09
>
> -----Original Message-----
> From: classicrendezvous-bounces@bikelist.org
> [mailto:classicrendezvous-bounces@bikelist.org] On Behalf Of Steve Neago
> Sent: Friday, January 16, 2004 4:30 AM
> To: classicrendezvous@bikelist.org
> Subject: Re: [CR]CyclArt Quality & Overcharge Concerns by Pergolizzi
>
> I wonder if CyclArt is being selective on facts regarding "published =
> prices"
> because these have not always been fully disclosed in the past. My past
> experience years ago with CyclArt regarding a frame repaint quotation =
> was
> not the best. The initial "basic" email price from CyclArt at that time =
> in
> no way resembled their far higher final price quotation by the end of =
> the
> later telephone quotation. This is why I chose not to do business with
> CyclArt. It sounds like Pergolizzi had a similar experience like me =
> with
> CyclArt on "floating prices". Fortunately, I did not experience
> Pergolizzi's pain in receiving a frame and paint job allegedly "damaged =
> in
> shipping" according to CyclArt.
>
> I know that CyclArt's quotation to me for a "basic" frame repaint =
> included
> numerous additional charges not fully disclosed in their "basic" price =
> at
> that time:
>
> frame paint stripping & prep charges,
> head badge removal/reinstall charges,
> parts removal charges for only a headset
> frame alignment charges,
> frame minor ding charges,
> fancy lug charges,
> frame paint masking charges,
> fork painting charges
> type and color of paint charges,
> multiple layer paint spray charges,
> paint special application charges,
> decal purchase charges,
> decal application charges,
> pinstriping charges,
> multiple clear coat charges,
> packing and box charges,
> shipping charges,
> shop material charges,
> and a possible 10% undeclared miscellaneous charge on top of that!
>
> After all of those charges, the CyclArt paint warranty was only for 3
> months. The CR archives has documented some past concerns with CyclArt
> quality. Meanwhile, other CR members said they are completely happy =
> with
> the quality of work performed by CyclArt.
>
> Companies change pricing over time and CyclArt may have changed their
> policies, but I maintain that CyclArt adds numerous required charges =
> that
> literally "nickel and dime" a customer with higher costs. A more =
> reasonable
> business policy would be to create a "one price does all" instead of all
> these incremental charges. The bottom line is that the listed "basic" =
> price
> is not what you will finish with because there may be numerous required
> additional charges disclosed on their website. This is why I purchased =
> my
> own HVLP spray equipment to paint my frames for my projects!
>
> CAVEAT EMPTOR regarding CyclArt!
>
> Regards, Steve Neago
> Cincinnati, OH
>
>
>
>
> ------------------------------
>
> Date: Fri, 16 Jan 2004 13:39:31 EST
> From: Philcycles@aol.com
> Cc: classicrendezvous@bikelist.org
> Subject: Re: [CR]Pinstriping, it's curious
> Message-ID: <6e.36eab001.2d3989e3@aol.com>
> Content-Type: text/plain; charset="US-ASCII"
> MIME-Version: 1.0
> Content-Transfer-Encoding: 7bit
> Precedence: list
> Message: 4
>
>
> In a message dated 1/16/04 10:20:00 AM, chriseye@comcast.net writes:
>
> >I've heard and believed that the pinstripers at Schwinn in the 50s and
> >before enjoyed their drink as wel
>
> My family were painting contractors and it seems drink and paint go
> togeather. Every painter I ever knew had a pint in his work grip.
> Phil Brown
> I'm sober in San Rafael, Calif.
> ------------------------------
>
> Date: Fri, 16 Jan 2004 10:39:03 -0800
> From: "Jack Gabus" <jack@shermangabus.com>
> To: <classicrendezvous@bikelist.org>
> Subject: [CR]DeVlamnick
> Message-ID: <MHELKCFNLJJCPOHKBLKAGEOBDFAA.jack@shermangabus.com>
> Content-Type: text/plain;charset="iso-8859-1"
> MIME-Version: 1.0
> Content-Transfer-Encoding: 7bit
> Precedence: list
> Message: 5
>
> Re: Roger De Vlamnick:
>
> What year did RDV switch from Gios to Colnago (having the bicycle named
> after him)?
>
> Jack Gabus
> 3649 Atlantic Avenue
> Long Beach, CA 90807
> 562/426.0118
> jack@shermangabus.com
>
>
>
> ------------------------------
>
> Date: Fri, 16 Jan 2004 13:42:45 -0500 (EST)
> From: "Dave Abraham" <dave@hokiespokes.com>
> To: <classicrendezvous@bikelist.org>
> Subject: [CR]eBay outing: Normandy/Sachs FW remover
> Message-ID: <3089.66.207.82.232.1074278565.squirrel@secure.mnsolutions.com>
> Content-Type: text/plain; charset=iso-8859-1
> MIME-Version: 1.0
> Content-Transfer-Encoding: 8bit
> Precedence: list
> Message: 6
>
>
> http://ebay.com/<blah>
>
> thanx to all..
>
> Dave Abraham
> New Wheel ~ Hokie Spokes
> http://www.hokiespokes.com
> Beautiful SW VA
> voice: (540) 552-7765 (or) 731-1211
> FAX: 552-7768 (or) 731-0666
> "Treating every bike like our own.."
>
>
> ------------------------------
>
> Date: Fri, 16 Jan 2004 13:52:24 EST
> From: RDF1249@aol.com
> To: john.hawrylak@att.net, classicrendezvous@bikelist.org
> Subject: Re: [CR]Elementary Control-Theory Mistake in Jobst's article onShimmy
> Message-ID: <9.20804728.2d398ce8@aol.com>
> Content-Type: text/plain; charset="US-ASCII"
> MIME-Version: 1.0
> Content-Transfer-Encoding: 7bit
> Precedence: list
> Message: 7
>
> In a message dated 1/16/2004 9:35:06 AM Pacific Standard Time,
> john.hawrylak@att.net writes:
>
> > Bob Freeman wrote "A load on the rear of the bike doesn't help either."
> >
> > I thought the rule of thumb was add weight evenly between front and rear
> > panniers when the initial weight added to the rear exceeded 10 to 15 pounds?
> > This seems to minimize the shimmy caused by a large weight added to the
> > rear.
> >
> >
> In the case of my Raleigh International across the US in 1976, I started out
> with a front rack and panniers and a handlebar bag, but the shimmy was worse
> with that setup than after I ditched the front rack and panniers. It may have
> been two weights on either end of a big spring, exacerbating the problem.
>
> Bob Freeman
> Seattle
>
>
> ------------------------------
>
> Date: Fri, 16 Jan 2004 13:55:29 EST
> From: Philcycles@aol.com
> To: classicrendezvous@bikelist.org
> Subject: Re: [CR]Elementary Control-Theory Mistake in Jobst's article onShimmy
> Message-ID: <1e8.174f4cb8.2d398da1@aol.com>
> Content-Type: text/plain; charset="US-ASCII"
> MIME-Version: 1.0
> Content-Transfer-Encoding: 7bit
> Precedence: list
> Message: 8
>
>
> In a message dated 1/16/04 10:53:32 AM, RDF1249@aol.com writes:
>
> >> I thought the rule of thumb was add weight evenly between front and rear
> >> panniers when the initial weight added to the rear exceeded 10 to 15
> >pounds?
> >> This seems to minimize the shimmy caused by a large weight added to the
> >> rear.
> >>
> >>
> >In the case of my Raleigh International across the US in 1976, I started
> >out
> >with a front rack and panniers and a handlebar bag, but the shimmy was
> >worse
> >with that setup than after I ditched the front rack and panniers. It may
> >have
> >been two weights on either end of a big spring, exacerbating the problem.
> >
> >
> >Bob Freeman
> >Seattle
> >
> The French method is to load the front far more than the rear. Some French
> tourists even dispense with the rear completely.
> Phil Brown
> Still sober in San Rafael, Calif.
> ------------------------------
>
> Date: Fri, 16 Jan 2004 19:47:56 +0000 (GMT)
> From: =?iso-8859-1?q?Andrew=20Moore?= <admooreuk@yahoo.com>
> To: classicrendezvous@bikelist.org
> Subject: [CR]Hetchins reproduction clothing
> Message-ID: <20040116194756.97117.qmail@web10208.mail.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
> MIME-Version: 1.0
> Content-Transfer-Encoding: 8bit
> Precedence: list
> Reply-To: admoore@btinternet.com
> Message: 9
>
> Hello All
> As many of you will know I've been selling reproduction Hetchins
> clothing for over a year, the current manufacture has hinted at a large
> price increase for 2004. As I've had various problems with them I'm
> reluctant to re-order from them. I have information on several other
> manufactures, but before I proceed I would like to know if any of you
> are interested in buying reproduction Hetchins clothing in the near
> future. The current price for a polyester short sleeve jersey is £38
> to £44.50 plus postage...
>
> One of the manufacture's from Spain, guesstimated the prices which
> would allow for a price reduction maybe £30 - £35 each, I know by
> American standards this is expensive. Please remember there is a
> limited demand for the custom produce.
>
> At present I have 4 short sleeve jerseys in stock at the old
> prices...38,40,44 and 46" chest one of each.
>
> Please note I AM NOT getting a woollen version done No arguments or
> discussion please!
>
> If I can accumulate some genuine interest I will pursue a replacement
> manufacture.
>
> thanks
> Andrew Moore
> Wiltshire UK
>
> ________________________________________________________________________
> Yahoo! Messenger - Communicate instantly..."Ping"
> your friends today! Download Messenger Now
> http://uk.messenger.yahoo.com/download/index.html
> ------------------------------
>
> Date: Fri, 16 Jan 2004 11:49:07 -0800 (PST)
> From: Donald Gillies <gillies@cs.ubc.ca>
> To: classicrendezvous@bikelist.org
> Subject: [CR]Who's at Fault, Schwinn or Raleigh ??
> Message-ID: <200401161949.LAA04484@cascade.cs.ubc.ca>
> Precedence: list
> Message: 10
>
> Which company started us on the trend towards more and more
> gears ?? Schwinn (paramount P-15), or Raleigh (12-speed Pro) ??
>
> I was also wondering if anyone sold a production bike, other than
> schwinn, that used a 15-speed campy triple.
>
> - Don Gillies
> San Diego, CA
> ------------------------------
>
> Date: Fri, 16 Jan 2004 11:55:53 -0800
> From: Pete Imandt <imandt@earthlink.net>
> To: <classicrendezvous@bikelist.org>
> Subject: [CR]Re: CyclArt Quality & Overcharge Concerns
> Message-ID: <BC2D81B2.1E2A%imandt@earthlink.net>
> Content-Type: text/plain; charset="US-ASCII"
> MIME-Version: 1.0
> Content-Transfer-Encoding: 7bit
> Precedence: list
> Message: 11
>
>
>
> In the garage of a widowed friend, I found a beautiful Olmo. I suspected a
> refinish, and lady remembered her husband had taken it to somewhere in
> northern San Diego County. Sure enough, there was a CyclArt logo on the
> stay. Sadly, when I e-mailed CyclArt, they were not able to provide any
> information about refinishing the Olmo. (Is dark egg-plant a standard Olmo
> color?)
>
> Pete Imandt
> Ramona, CA
>
>
>
> ------------------------------
>
> _______________________________________________
>
>
> End of Classicrendezvous Digest, Vol 13, Issue 64
> *************************************************